Director of Photography Shane Hurlbut described what the cast and crew accomplished during their first day in Rome. “We were flying aerials today; the farm equipment and tractors and things like that in the foreground as we go with our actors.”
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Rome News-Tribune – ‘Need for Speed’ rolls film at Myrtle Hill Cemetery
doddleTALKS Podcast
Director of Photography Shane Hurlbut, ASC, returns to doddleTALKS Tech to discuss how he approached selecting cameras for his new film Need for Speed, and by testing those cameras, how he found that they had their own unique digital emulsion.
Click here to read moreMovieMaker Magazine – Turn Your Small Camera Into a Big Moviemaking Machine
An A-list cinematographer and moviemaking trailblazer, Hurlbut infused the design of the MCS with practical innovations borne from his 20+ years of industry experience – especially from his recent DSLR shooting excursions on projects such as the 2012 feature, Act of Valor.
Click here to read moreIndiewire – The Dizzying World of Digital Cinematography
To select a camera for Scott Waugh’s street racing film “Need For Speed,” cinematographer Shane Hurlbut pitted nine cameras against one another in dozens of tests simulating every possible shooting condition. Then, Hurlbut had each camera’s footage color graded and presented with a 4K projector on a 42 foot screen.
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Shane Hurlbut, ASC joined the NeedCreative Podcast for “Hurlbut Returns.” We talked about the art and science of cinematography and then did a mini-workshop with story scenarios and how Shane would light and lens them.
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